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Sunday, July 9th, 2006 11:32 am
You.

Yes, you.

You realize, right, that you are racist?

You realize, right, that it is perfectly okay that you are racist? So long as there's some awareness/sensitivity to the matter? That one of the worst things you can ever do is protest, "There is not a racist bone in my body?"

Also?

Ya'll do realize that Johnny Depp is not white? (not completely?)

Ya'll do realize that generalizations are not the same as stereotypes, and that pirates were stereotyped in both movies?

Ya'll do realize that, yes, both PotC's are, inherently, racist?

And that that's okay? That you are still allowed to enjoy the movie?

First, lets get something out of the way. Yes, the fact that the "black" people died (or had a small speaking role...and then died) is racist. The thing with the hanging balls of bones with the cackling part of the crew being predominantly black, and then dying, is racist because of "omg the treachery of black people and they cackle and point and race to get ahead of us, but then they die and all is well". Which, y'know, is a comment paralleling the same fears that people have towards immigrants, "omg they're taking our jobs/money/women!" etc. etc.

But, and here's a thing that seems awful and yet kinda cool and amusing as I watch it happen, why is no one seeing Johnny Depp's race?

He is not white, in fact he's part Cherokee.

And?

I look chinese, I act chinese, and parts of me *are* the chinese stereotype. And yet I have germanic blood in me and I've been white-washed by American culture. So does it count?

One of my friends is half-Hawaiian and half-black and she was raised by a white father and a chinese mother. She is labeled as black. Is it true?

And more, from this post by [livejournal.com profile] runefallstar.

Specifically, in her post:
I'm the oldest of two daughters. Two girls who look a whole lot more like our Zapotec indian mother than we do like our tall skinny white surfer guy father. We grew up in a neighborhood where we were the only non-white folk on our street.

Bear and I are smart kids. We both did well in school, played sports and took part in the arts, even got into good colleges -- Bear having done much better than I did, getting to turn down Yale of all places -- and yet, even now, people seem surprised by my articulateness. They want to know the college that I graduated from (go Kenyon) and how I came to have the skills I have (sheer good fortune) and can not seem to connect my visible ethnicity with any of either of these things.

Until they discover that my father is white.

Johnny Depp, who's probably playing an indeterminate interracial bastard child of x, y, and z, is "made king" and appetizer for a mixed group of indeterminate interracial cannibals.

...If anything, I think cannibals should be pissed that *they* are being stereotyped.

And here's the thing too, pirates were also stereotyped in the movie. Uptight English folk were also stereotyped in the movie. But guess what, people don't *see* it because either they can't see it or because they're assuming that the traits being displayed are *positive*.

Okay, to display this concept in perhaps a more familiar setting?

Why is Jack's constant flirting acceptable, and Tia Dalma's not? She didn't even perv over that many people, just the pretty blacksmith.

Why is her sexuality a problem for people, and yet Elizabeth's is not?

Why are black generalization and global descriptions (stereotypes) inherently bad, while white generalities and global descriptions (stereotypes) are inherently good?

It's like saying that feminine characteristics are inherently bad (being gentle/sensitive/prettyboy) and that masculine characteristics are inherently good (being strong/stoic/muscled). And actually, some of the conversations remind me of parallel conversations about feminism held by second-wave femi-nazi's.

And I'm speaking this as a person watching these conversations about a "potentially racist" movie worried that they're "potentially racist".

It's okay, yes you are racist. Yes, that's a supposed "flaw" in your character.

But the larger flaw is if you don't realize you are racist, because also? Human beings are hard-wired to make generalizations, because it's how you learn, it's inherent to the logical process. A generalization is a hypothesis that may or may not be true; but it helps you get towards truth, because otherwise you're utterly rudderless in a sea of unsorted information.

Where a generalization becomes a stereotype is when you stop realizing it is a generalization. When the hypothesis automatically becomes the conclusion, you have a problem.

Otherwise, you're okay. Savvy?

One more thing:

That scene at the end? With the people holding the candles above the water?

Attempt to imagine that with white people. Does it not give you the impression of fundie christians or goths?

What I don't think a lot of people who're raised in Western/Westernized cultures realize is how much spirituality isn't part of the mainstream culture. It's looked down upon, it's marginalized.

But once you hit non-Western cultures? [livejournal.com profile] runefallstar will get into this more in her post from the Mexican side of things and from various things from her paper. But I know for a fact that spirituality is rampant in mainstream chinese culture. People still go to herbal medicine doctors, people still believe (honestly believe) in ghosts, people still believe in fengshui and paths of energy (chi), and there's still altars to the dead tucked into hidden nooks of most buildings.

And yes, you *can* call this superstition and throw it away. But look at what it *is*, look at it's roots. Look at perhaps even your own almost instinctive reaction that it's "primitive" and "illogical". Superstition is based on this belief in an "other", a "beyond", a forces in heaven and earth that is not based on your (westernized) philosophy. And frankly, while most white mainstream cultures have spirituality in the context of organized religion, it does not often spill over into the daily life.

So yes, I thought that that scene with the people standing in the water was very effective. It felt spiritual to me, and heartbreaking because they're holding a wake for Jack Sparrow without his body. They're doing it half submerged in the water that may somewhere touch Jack, and the element that he's of and most comfortable with.

To have it be multinational? Or to have it be predominately white? Would have been ridiculous.


And now I'm done. I'll be pointing out [livejournal.com profile] runefallstar's post on this matter once she get's it up, but I just had to first get that out.

I'm not saying that these conversations shouldn't happen. But I'm just pointing out that some of the thought patterns displayed by these conversations? Are just a wee bit ridiculous. XD Don't worry, I still love ya'll tho.


[edit] [livejournal.com profile] fannyfae with more comments on the ceremony:
"In fact, it is a fairly common African (yes, AFRICAN) spiritual practice, that goes all the way back to the to Ancient Egypt and Nubia. The ancestors or akhu don't die or to equate it with the Westernized notions, cease to exist. In traditional African faiths, the akhu go to a different place. The waters represent the Waters of Creation, the Primordial Nun - from where we all sprang."
[edit2] additional feminist-type thought from me in this context: "And I'm all wondering, are they not calling Elizabeth on the flirting because she's all skinny and virginal? Is it a Britney Spears thing where she can be sexy if she's nominally pre-pubescent and relatively POWERLESS? Like, once women have power, their sexuality becomes dangerous?"

[edit3] [livejournal.com profile] adina_atl from here:
I recognized even as I was laughing my ass off that the cannibal part was racist, but it never even occurred to me to question Tia Dalma, mostly because I recognized Santeria/Voudoun and respect them as valid religions. It would be like objecting to depictions of Roman Catholicism in a vampire movies because they shows how superstitious and "primitive" the RCs are, with all-powerful magical crucifixes, holy water, and communion wafers.

To object to the portrayal of Santeria/Voudoun (unless the objecter has enough familiarity with them to declare that they've been portrayed inaccurately) is to say that they are inherently disgraceful, not valid religions. Besides, in the context of POTC, Tia Dalma (and by extension her culture and religion) was RIGHT.
[edit4] [livejournal.com profile] phiremangston points out as a non-Carib viewer that:
I admit that when I watched the cannibals part, it bothered me a little. I was worried about how they would be represented. That is, until we heard Gibbs' explanation for why Jack was in the position he was. I never viewed them as "primitive", or even as aggressive. I didn't even necessarily view them as cannibals, in the traditional sense of the word. I saw them as a group of religious people. As Christians take bread and wine as representation of the eating of Christ's flesh and the drinking of his blood, other religions do not do this metaphorically. The "cannibals" saw Jack as a human form of their god, and, as Gibbs said, they wanted to release him from his human form. By ingesting the human form of their god, they feel as though they have been blessed by the god in thanks. That's just how I saw it. They were used as the comic relief, certainly; however, a lot of others were, too. Jack, Will, and Norrington's swordfight was comic relief. Elizabeth, Pintel, and Ragetti flailing around with the chest was comic relief. Almost everything Jack does is comic relief, frankly.

I didn't think that the representation of the tribe was negatively stereotypical, especially since the writers (through Gibbs) clearly gave the audience a sympathetic reason for why they did what they were doing. They were doing it out of the belief that what they were doing was the right thing.

***In my mind, the tribe was shown as being the only people in the movie who were completely selfless and weren't out to accomplish things for themselves.

Most people would assume that the tribe was looking out for themselves. With a single line, we are told otherwise.

I think that that was a very clever thing for the writers to slip in.
HOWEVER, there has been protests about the portrayal of...and here's where it gets tricky. Did Disney portray Caribs as cannibals? Or cannibals as Caribs? Or cannibals as Cannibals? I, personally, viewed their portrayal of cannibals as stereotyping cannibals, not as a stereotype towards those who've called the Carribeans home. ::shrugs:: But that's just me. (linked to by [livejournal.com profile] rachelmanija)

[edit5] [livejournal.com profile] jackiekjono from here:
I think it's also important to note that Will and Elizabeth are more or less point of view characters. They will not know where specifically certain customs may come from or what they might mean. I think it is very interesting that they did the research and made the customs accurate but, it would have been difficult to put explain all of that to the audience without slowing down the action of the movie while being boringly pedantic and intrusively PC.
Saturday, July 15th, 2006 11:48 am (UTC)
A lot of your post *didn't* make sense to me, which is distressing to me, not least because I like and respect you.

I haven't read every subthread on this post, but I did read the post and *many* of the subthreads. (I think "most," but I'm not sure.) I understand the fatigue of feeling like people are coming in at the tail end of an argument and not understanding the full discussion.

I value symbolic arguments/discussions. Saying I don't think art or fandom are therapy is not the same thing as saying they can't be therapeutic. But I am also sad and angry that racism seems to be such an awkward topic people can *only* think about it sensibly at a distance, when fans seem perfectly able to think about issues like sexism and sexual abuse directly. And I am sad and angry because this inability tells me that racism is much more alive and well than I wanted to think it was, and I am sad and angry because some fans' discomfort in talking about race is leading to efforts to shut down discussions of race.

If they're genuinely "companions" then okay, and speaking out about racism is good, however I feel that anger against racism could be better applied in other ways than blindly standing up. I feel that making personal connections are more worthy than fighting against people who are probably not even reading this journal, and who (even if they are reading this journal) probably *wouldn't* change their minds based on a post I made.

I started off by typing, "I don't think that you personally are obligated to speak out about racism," then had to pause to think about that. The truth is, I do think you personally are obligated to speak out about racism, but only in the way that I think *everyone* is obligated to speak out about racism. I do not think you are obligated to speak out about it in this space. But since you've chosen to speak out about it here, I think it's fair to criticize what you've said, the same way I'd criticize/disagree with, say, some of your interpretations of *Saiyuki* -- only, yes, the subject is considerably more fraught.

And I do object to the characterization of other ways of speaking about racism as "blindly standing up."

Where in my post have I said that racism doesn't exist?

Hmm. You seemed to me to be saying that the only solution to racism is to pretend not to notice race. Is that incorrect? It would have been more accurate for me to say, "You seem to think that race won't exist if we pretend it doesn't, but that only works if race doesn't actually affect people."

What I was trying to point out is that racism exists in each of us, and I said that so long that we're willing to question our suppositions, our hypothesis, that it's okay; I say this because troubling responses occur when people are ashamed or guilty or hate themselves.

Okay. What your post seems to read like is: "Racism exists in each of us. We shoudn't hate ourselves for it. Since it's too difficult to think about clearly, we can stop there, or think about it in conjunction with werewolves, zombies, etc. without having to look at race directly, or consider the impact of racism on the shows we watch, the movies we see, or the books we read."

Your post sounds like this because you (a) say everyone is racist, then (b) criticize people for assuming Johnny Depp is white, then (c) briefly mention some instances of racism in the film, then (d) dispute the characterization of the film as racist, including several of the elements you called racist in (c).
Saturday, July 15th, 2006 11:57 am (UTC)

Without knowing what posts you're responding to, it's impossible for me to know whether they in fact involved: (1) people portraying themselves of protectors of the helpless; or (2) casting blame, shame, and self-hatred on people. So it sounds like you are arguing that it is useless--or in fact *harmful*--to (a) notice that some actors and characters in PoTC are white, and some are black and Indian; (b) point out the different ways the narrative treats characters; (c) ascribe some of those differences to race; (d) criticize some of those differences on the basis of this film as an individual story; (d) criticize some of those differences on the basis of this film as part of a long historical discourse on race.

From your post, I am really not sure what you think a non-racist discussion of race in fandom would look like.
Saturday, July 15th, 2006 11:01 pm (UTC)
What a non-racist discussion of race in fandom would look like I think, is con-crit. Genuine constructive-criticism, where the 'beta' is genuinely looking out for your best interests and not looking to attack "anyone". Because you are, *together*, attacking a *problem*.

Except, of course, that there is no *together*, because the people who created the work you're discussing aren't part of the discussion.

However, that aside, it sounds like you're saying that it's OK to say that there's a problem as long as you also propose a solution. Is that right?

So does this sort of discussion opener look more like what you're aiming for?

"I felt that the portrayal of Barabbas in The Jew of Malta was anti-Semitic because he is a greedy Jew who poisons the well of a nunnery because he hates Christians. Also, he is the only Jew in the play, which makes his actions seem to represent all Jews. It's true that many of the Christians are portrayed as sniveling hypocrites, but that doesn't make the portrayal of Barabbas any less anti-Semitic.

Given that Barabbas being gleefully evil is what the entire play is about, one could not make him less evil, or less stereotypically an evil Jew, without rewriting the entire play. One could try adding Jews who are not greedy or evil, but the particular traits Barabbas embodies have such a long history as specifically anti-Semitic stereotypes that I don't think that would really help.

I feel that the best solution would have been to make Barabbas an evil Christian who poisons the nuns because he hates hypocrisy and feels that the nuns are hypocrites, and not have there be any Jews in the play at all. This would be in-character, as he does indeed hate hypocrisy and call the nuns hypocrites, and would remove the anti-Semitism.

This is not an artistic criticism of the play. It's a very well-written play, and I enjoyed reading it even though the anti-Semitic content made me feel weird and guilty for liking it."
Saturday, July 15th, 2006 06:14 pm (UTC)
I realize, reading this, that your reply to me would probably echo a lot of your reply to Mely, so I'm going to explain a bit in advance where I'm coming from.

::blink:: BUH?? What th...I mean, the thing is, sexism and sexual CAN be talked about, because the sexual and the female-dominated characteristics of fandom is pretty damn inherent. The demographics of the audience are pretty damn all skewed towards one side, or as many people call it, a 'safe haven'.

I think I'm probably a bit older than you, and also came into fandom through books/zines/the written word, rather than media. In that corner of fandom then, women were a very small minority, and even now, if you go to a written-word-focused convention other than Wiscon (a specifically feminist convention) the gender balance tends to be either 50-50 or predominantly male. And my first online experience with fandom was rasfw on usenet, which seemed to be about 25-30 percent female, and where I stayed for about five or six years.

When I said that I'd seen fannish conversations about gender/sexism in art going on, I was referring not just to the media/fanfic section of LJ, which is indeed female-dominated, but to my entire fannish experience, which ranges from male-dominated to 50-50 to female-dominated. And yes, there's more agreement when everyone in the room is female. But it is perfectly possible to discuss sexism in art with a mixed-gender group, and still have a non-hostile, non-metaphoric discussion.

You get none of that with race, that despite not being able to see race, there's many from BOTH sides of the issue Right There (provided you see the issue as "Us" versus "Other"). And while I *get* that people are trying to create a 'safe haven' to discuss it, it does not exist in this forum, not *easily*, not without friction, because it's hard to discuss it head-on with both parties in the room.

See above.

I mean, maybe this particular LJ is not a safe haven. But I disagree that having people of different races discussing race together inherently procludes discussion. I had a discussion about racism in casting TV shows in my LJ a couple months back, with actual examples from an actual TV show I'd worked on, and people of a number of different races managed to participate, agree and disagree with each other, and post links to hot actors of different races without any virtual blood being shed, and without anyone saying, "It's just a fun TV show! We shouldn't pay attention to the race of the actors who are in it!"
Saturday, July 15th, 2006 06:15 pm (UTC)
Sorry, forgot to close italic tag.
Saturday, July 15th, 2006 06:22 pm (UTC)
I am now going to prove that it is possible to step away from an aspect of a discussion which hits too many of your buttons for you to be able to discuss it without going ballistic, by not touching your use of the word "femi-nazi."

(I'm not going away from the entire conversation, just that particular aspect of it.)
Saturday, July 15th, 2006 07:08 pm (UTC)
I don't think I've ever mentioned it before on LJ. Basically, I'm a feminist, and "femi-nazi" is a term used to insult feminists.

I realize that influential anti-feminists like Rush Limbaugh managed to popularize it to the extent where people-- even women-- who probably do believe in feminism (equal rights, equal pay) think of it as a term for not all feminists, but just the ones they don't like. (Much like junior high kids may use "gay" to mean "bad" because they've heard other people say it, without really thinking that gay people are bad.) However, it is still an incredibly insulting term.

I'm OK with the use of the word "Nazi" to mean something other than the actual historical Nazis if it's in a completely non-political context, like "Soup Nazi." But when it's used in a political context, it doesn't just mean "authoritative," but "like the Nazis." This is a large part of what makes "femi-Nazi" so offensive, especially but not limited to Jewish women.
Sunday, July 16th, 2006 01:59 am (UTC)
Thank you for saying that.

I think I will leave Rachel's response as a stand-in for mine, because we do have fairly similar views (and in some ways experiences, down to history of fandom), and she is a lot calmer than I am about "feminazi."