My roommate and I were chatting about Serenity and she brought up the rage that people in the fan forums she found (non-LJ) were feeling over the treatment of Wash's death in the latter half of the movie. For a while I was at a loss because his death seemed to be treated consistently within the world of Firefly.
But....then again, it wasn't treated consistently with normal cinematic codes.
To explain, lets all flash back to Firefly, episode 1; specifically, Kaylee's Death Scene, or rather, Simon Finding Out About Kaylee's Death. When there was all dramatic music? Slow-mo? Blurry faces of extreme sentiment and woe?
That, I think, was as much Joss' poking fun at the conventions as he was doing a comedic turn; and Wash's death seen in light of this makes more and more sense. Of *course* time can't stop for Wash, they're in what amounts to be a war, there's no time for music, no time for sluggish movement, no time for your eyes to go blurry.
But...God. Wash, pinned to the eye of Serenity. Like the bodies Mal pinned to the outside of Serenity. Like a Reaver's ship.
Joss "desecrated our home", with Wash's death. And those parallels make such an awesome amount of sense to me, 'cause it explains some of the feelings around Wash's death relative to the movie. The body of Wash as desecrating the body of Serenity the movie.
And damn, that's guts, to trust in his movie enough that he knew that the impact of Wash's death would be felt even if he left out the codes of High Drama. He trusted that Wash made enough of an impact that he wouldn't *need* to manipulate the audience into feeling the tragedy.
Which, dude, bravo!
But....then again, it wasn't treated consistently with normal cinematic codes.
To explain, lets all flash back to Firefly, episode 1; specifically, Kaylee's Death Scene, or rather, Simon Finding Out About Kaylee's Death. When there was all dramatic music? Slow-mo? Blurry faces of extreme sentiment and woe?
That, I think, was as much Joss' poking fun at the conventions as he was doing a comedic turn; and Wash's death seen in light of this makes more and more sense. Of *course* time can't stop for Wash, they're in what amounts to be a war, there's no time for music, no time for sluggish movement, no time for your eyes to go blurry.
But...God. Wash, pinned to the eye of Serenity. Like the bodies Mal pinned to the outside of Serenity. Like a Reaver's ship.
Joss "desecrated our home", with Wash's death. And those parallels make such an awesome amount of sense to me, 'cause it explains some of the feelings around Wash's death relative to the movie. The body of Wash as desecrating the body of Serenity the movie.
And damn, that's guts, to trust in his movie enough that he knew that the impact of Wash's death would be felt even if he left out the codes of High Drama. He trusted that Wash made enough of an impact that he wouldn't *need* to manipulate the audience into feeling the tragedy.
Which, dude, bravo!
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Also to be noted, I've never seen Buffy, so I'm not used to Joss's style. Now I'm not sure I really want to see it.
I also have to note that the other thing that made it feel both cliche and ticked me off, was that Book's death did get all the dramatic angsting in proper cinematic 'prod the hero into action' style. Contrasting that with Wash's death makes Wash's seem that much more like 'must kill off a random char to prove how dangerous this place really is'. To some, the lack of melodrama felt like a realistic battle situation; to me, when Kaylee still had time to humorously work out her relationship with Simon in the middle of all that stress, and no one hardly sheds a tear for Wash after it's all over - it felt like Book's death was the one that really mattered, and Wash was just a soon-forgotten casualty, hardly more significant than Mr. Universe or the little boy in Book's camp. Which maybe was the point. But it still leaves a bitter taste.
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Thing is, I felt Wash's death resonated way longer than Book's death. It was in the way that Zoe went opaque and I think part of why Simon stated his regret so clearly to Kaylee and they way that entire sequence was pitched so much tenser than it could have been otherwise.
Wash's death is a loss and there's no way that it couldn't have been a loss and Serenity can never be the same ship and Firefly would never have the same dynamic, because it changed. And should there be a sequel it will keep changing...and it's sort of like a Catch-22.